Dubrovin V.L. Modern motion pictures and tv series as tools of soft power. In: Film and politics : edited book from the international scientific conference held on the 18th and 19th of March 2024 in Belgrade ... Dubrovin V.L. Modern motion pictures and tv series as tools of soft power. In: Film and politics : edited book from the international scientific conference held on the 18th and 19th of March 2024 in Belgrade / editor Ivan Matić ; [translator Snežana Stanković]. - Belgrade : Institute for Political Studies, 2024 (Belgrade). - P. 189-199.ISBN 978-86-7419-388-4DOI 10.18485/ips_film_politics.2024.ch11Posted on site: 29.03.24 AbstractThe article highlights examples of the use of soft power in films and serial content using the example of the USA, Russia and some countries of the post-Soviet area. The author makes a conclusion that this usage is influenced by government regulations and efforts of subjects in the sphere of production and purchases of entertainment content. The combination of these factors results in the production of content that carries out the desired narratives.Àâòîðû:Content (in russ)hide table of contentsshow table of contents FILM AND POLITICS EDITOR’S FOREWORD ..................................................................9 THE POLITICAL ASPECTS OF FANTASY AND SCI-FI Primož Krašovec THE WORLD OF DUNE AS AN ALTERNATE FUTURE WITHOUT AI..................................................................................... 13 Nikola Tanasić THEY SLAY DRAGONS, DON’T THEY? ON TAMING OF DRAGONS AND THE OBLIVION OF EVIL IN MODERN STORYTELLING ....................................................... 33 Ivan Matić STAR WARS, FROM THE JUNGLES OF VIETNAM TO THE DESERTS OF IRAQ AND BEYOND.................................49 Isidora Novaković THE PRINCE OF THE RINGS: CAN FILMS HELP US UNDERSTAND POLITICS?.......................65 FILM AS A TOOL OF GEOPOLITICS Zoran Milošević FILMS AND SERIES AS INSTRUMENTS OF GEOPOLITICS......83 Braco Kovačević FILM AS SOFT POWER ................................................................. 105 Maryam Khaleghinezhad CULTURAL PARADIPLOMACY CAPACITIES; CINEMA AND FILM: A STRATEGIC PERSPECTIVE IN CULTURAL RELATION AND CONVERGENCE; A CASE STUDY OF IRAN AND SERBIA......................................127 Miloš Jevtić FILM AND RECONCILIATION: A CASE STUDY FROM THE REPUBLIC OF SOUTH AFRICA..143 Elena G. Ponomareva, Yevgeny V. Ryabinin CINEMA AS A TOOL OF COGNITIVE WARFARE: THE CASE OF THE REPUBLIC OF SERBIA................................159 Eduard Anatolievich Popov “KILL THE RUSSIAN... IN YOURSELF” IMAGES OF DONBASS, RUSSIA, AND RUSSIANS IN MODERN UKRAINIAN CINEMA............................................ 173 Vladimir Dubrovin MODERN MOTION PISTURES AND TV SERIES AS TOOLS OF SOFT POWER.........................................................189 IDEOLOGICAL ASPECTS OF FILMMAKING Rustem Vahitov ARCHAIC MOTIVES IN MODERN CINEMATOGRAPHY......... 203 Aleksandar Matković SOCIAL DEVIATIONS AND DEVIATIONS OF SOCIALISM: CRITICAL CINEMATOGRAPHY OF THE YUGOSLAV BLACK WAVE ................................................................................ 213 Andrey Baranov FEATURE FILMS AND DOCUMENTARIES ON SOVIET HISTORY AS A MEANS OF CONSTRUCTING POLITICAL IDENTITY IN CONTEMPORARY RUSSIA...................................233 Natalya Belous, Elena Vakulina THE FILM INDUSTRY AS A POLITICAL PERSUASION TECHNOLOGY ............................................................................... 247 Nenad Petrović THE FILM “ALEXA DUNDIĆ” AS PART OF THE POLICY OF OVERCOMING THE CONFLICT OF THE FPR OF YUGOSLAVIA AND THE USSR........................255 Jelena Miljković Matić ANTHROPOLOGICAL INTERPRETATION OF THE FILM “THEY LIVE” ..................................................................................265 Ivan Andreevich Ivannikov THE POLITICAL AND IDEOLOGICAL ASPECT IN THE CINEMATOGRAPHY OF THE USSR AND THE RUSSIAN FEDERATION ON THE EXAMPLE OF FILMS ABOUT WAR....285 POLITICAL DOCUMENTARIES AND FILMMAKING Marta Nešković, Hongyun Sun SITU ZHAODUN’S LEGACY: AN ENDURING CONTRIBUTION TO SOCIO-CULTURAL CINEMATOGRAPHY...................................................................... 297 Vladan Stanković OLIVER STONE’S POLITICAL CINEMA.....................................317 Tijana Perić Diligenski ABUSE OF POWER THROUGH THE PRISM OF CONTEMPORARY POLITICAL CINEMA.............................. 333 Jelena Vujanović THE FILM INDUSTRY AND ELECTION CAMPAIGNS..............347 Nikola Perišić CRITIQUE OF SLOBODAN MILOŠEVIĆ’S RULE IN SERBIAN CINEMATOGRAPHY: A CASE STUDY OF THE FILM “THE PROFESSIONAL”........................................ 363 Aleksandra Vučković CINEMATIC SELF-CRITICISM AS A METHOD OF JUSTIFICATION OF CONTEMPORARY POLITICS: THE CASE OF BARBIE AND OPPENHEIMER............................. 381 HISTORY THROUGHT THE LENS OF CINEMA Hakan Yalap SULEIMAN THE MAGNIFICENT AS A TV SERIES HERO: AN EMPEROR, A LOVER, A POET............................................... 401 Kirill Shevchenko CZECH CINEMATOGRAPHY AS AN INSTRUMENT OF NAZI POLICY IN THE PROTECTORATE OF BOHEMIA AND MORAVIA IN 1939-1945 ...................................................... 409 Sanja Stošić IDENTITARY SYMBOLS AND SPANISH CINEMATIC DISCOURSE – FROM FRANCOISM TO ALMODOVARIAN CINEMA .........................................................419 Sonja Višnjić Žižović THUNDEROUS SILENCE – CHRISTIANITY AT THE TIME OF PERSECUTION IN JAPAN........................................................445 Matija Malešević BETWEEN HISTORY AND DREAM: DECODING FELLINI’S “AND THE SHIP SAILS ON”................ 465 Dajana Lazarević SCIENCE AND JOURNALISM COMBINED IN EXPOSING THE HIDDEN MESSAGES OF FILM............................................ 475