Abramov, Roman. 2018. The Donbass As a Space of Socialist Enthusiasm, Memory, and Trauma: Cinematic and Literary Images. Laboratorium: Russian Review of Social Research 10 (1), 79-93. https: ... Abramov, Roman. 2018. The Donbass As a Space of Socialist Enthusiasm, Memory, and Trauma: Cinematic and Literary Images. Laboratorium: Russian Review of Social Research 10 (1), 79-93. https://www.soclabo.org/index.php/laboratorium/article/view/717.ISSN 2076-8214DOI 10.25285/2078-1938-2018-10-1-79-94РИНЦ: https://elibrary.ru/item.asp?id=35050458Posted on site: 26.11.18Текст статьи на сайте журнала URL: https://www.soclabo.org/index.php/laboratorium/article/view/717 (дата обращения 26.11.2018)AbstractThis essay is written in the genre of psychogeography, employing sources from Soviet and post-Soviet films and novels that portray the Donbass as an industrialized space of both collective amnesia and collective memory, conjuring up the surreal territory of the “mining-metallurgical civilization.” The modern context of the Donbass as an area of armed conflict comes up only when related to the industrial past of this region. The problem of Donbass identity in the context of the collapse of the Soviet Union is discussed in terms of its integration into the new reality of an independent Ukraine. The essay is about several Soviet films that show the Donbass as a space of labor heroism, a site in the memory of the Great Patriotic War, and contradictory first postwar years of the late Stalinist era. This analysis covers several important films about this space where spy stories and the struggle to improve productivity are complemented by scenes of building a new life on the basis of “cultural” principles.